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Projects

De Mey, De Keersmaeker

Counter Phrases

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Thierry De Mey Movies
Anne Teresa De Keersmaeker Choregraphies

 

Robin de Raaff,

Jonathan Harvey,

Luca Francesconi,

Thierry De Mey,

Steve Reich,

Fausto Romitelli

et Ballaké Sissoko Musics

TM+
Mara Dobresco, Julien Le Pape Piano
Anne Ricquebourg Harp
Florent Jodelet, Gianny Pizzolato Percussions
Kobe Van Cauwenberghe Electric and acoustic guitars
Dorothée Nodé-Langlois Violin
Florian Lauridon Cello

 

Orchestre Symphonique de Mulhouse
Lucile Salzmann-Broggia Flute
François Fouquet Oboe
Manuel Poultier, Maxime Penard Clarinets
Mehdi El Hammami Bassoon
Pierre Ritzenthaler French horn
Xavier Ménard Trumpet
Guillaume Millière Trombone
André Adjiba, Nahom Kuya Percussions
Michel Demagny Violin
Pascal Bride Viola
Étienne Charbonnier Double bass

 

Laurent Cuniot Direction

 

Ballaké Sissoko Kora

Fassery Diabaté Balafon

Oumar Niang N’goni guitar

Duration 1h30

Films
Orphic Descent
Counter Phrases
In Silence
Moving Trees
Controcanto
In silence II
Water
Floral Fairy
Heysel
Dance Patterns
Green, Yellow and Blue

 

Cine-concert

What if the dance composed the music?

A unique type of ‘cine-concert,’ Counter Phrases reverses the traditional relationship between music and dance, engaging with sounds from both here and elsewhere.

Counter Phrases is the re-creation of a 2003 project by composer and video artist Thierry De Mey and choreographer Anne Teresa De Keersmaeker. It is interpreted here, in alternation, by the musicians of TM+ with the Symphony Orchestra of Mulhouse, and the band of Ballaké Sissoko. The show revisits the relationship between sound material and the gestures of the body. Rather than entrusting dancers with the responsibility for incarnating the music, composers are offered the opportunity to create music that is inspired by images of dance. Projected while the musicians play the compositions live are the ten films made by De Mey of De Keersmaeker’s “phrases dansées” (choreographic phrases). These spellbinding rhythmic images multiply the points of view inhabiting the dramatic space.

On stage, today’s musical sounds alternate as visual compositions and focal points explode across the screens. The “Westerners” mix styles, genres and inspirations, exploring spectral interiority, repetitive sequences, and rock influence. Playing under the direction of Laurent Cuniot, the twenty classical instrumentalists from TM+ and the Symphony Orchestra of Mulhouse pass the baton back and forth with the “Africans,” led by Ballaké Sissoko on the kora, accompanied by his band of Malian musicians playing guitars and the balafon.

A truly universal spectacle, Counter Phrases simultaneously reinvents the cine-concert genre, and challenges our way of thinking about dance as well as our outlook on music.

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Audio/Video
Audio/Video, replay
Distribution Dates Listen

Coproduction TM+, Orchestre symphonique de Mulhouse, Maison de la Musique de Nanterre

With the support of ADAMI

 

Photographic credit Cosimo Piccardi